The Southern Literary Journal
Description: Published semiannually since 1967, The Southern Literary Journal is concerned with the literary and intellectual life of the American South, in the most expansive sense of that term. It features essays dealing with southern writing from all periods and genres, and its eclectic approach includes literary criticism, historical studies, and thematic and comparative analysis.
Coverage: 1968-2015 (Vol. 1, No. 1 - Vol. 47, No. 2)
The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.
- Terms Related to the Moving Wall
- Fixed walls: Journals with no new volumes being added to the archive.
- Absorbed: Journals that are combined with another title.
- Complete: Journals that are no longer published or that have been combined with another title.
Subjects: Language & Literature, Humanities
Collections: Arts & Sciences V Collection
Essay/Term paper: Time in the sound and the fury
Essay, term paper, research paper: Faulkner
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TIME IN THE SOUND AND THE FURY
One of the main realities of human existence is the constant, unceasing passage of time. The Sound and the Fury by William Faulkner explores this reality of time in many new and unexpected ways as he tells the tragic tail of the Compson family. The Compsons are an old Southern aristocratic family to whom time has not been kind. Years of degeneration mainly stemming from slavery have brought them to the brink of destruction. Most of the story focuses on the Compson children who are undergoing the worst of the social and moral decay. Each of the four children perceives time in a much different way but by far the strangest and most bizarre attitude toward time that is given in the text is held by one of the three male children, Quentin. He is totally consumed with his past and at times can think of nothing else. He also becomes determined to stop time itselfâ”a futile effort that will eventually force him to take his own life. Quentin"s obsession with the past and with the passage of time is a central theme of not only the Quentin section but of the entire book, and it is the key to understanding what Faulkner is trying to say about the decay of Southern culture and traditions.
To fully understand the motif of time in the Quentin section it is first necessary to compare it with the different ways in which Faulkner uses time in the other three sections. The first section is narrated by the mentally retarded brother, Benjy, who has absolutely no concept of time whatsoever. He simply drifts back and forth through time as if the past were no different from the present to him. Benjy constantly thinks of his sister Caddie who has long since left the family home but because he has no concept of time, he has no idea that she has been gone for many years. The third section is narrated by the greedy and neurotic brother, Jason. To Jason time is all about the present and he grabs every second as it goes by much as he does with the money that his sister Caddie sends to him in order to provide for her daughter who is under his care. The fourth and final section in the book, unlike all the others, is not told by one of the children but rather by an unspecified narrator. In this section time is shown as much closer to what ordinary people perceive it to be.
More than any of the other sections, the Quentin section sees time as the enemy. Quentin himself is in a constant struggle to escape time. The first evidence of this attempt to stop time is seen when he symbolically breaks the hands off his pocket watch. But to his dismay he can still hear it running even without the hands, a sign that time is inescapable. Indeed everywhere he goes he can see and hear clocks constantly reminding him of the passage of time. Quentin"s distortion of time is further shown by his total obsession with the past and his sister Caddie in particular. Caddie has just married several months before and Quentin has numerous flashbacks about her. In his mind this fixation on his sister is an attempt to protect her. It is a kind of distorted Southern chivalry but instead of it protecting the honor of the Southern woman, the distorted chivalry is destroying him because he is unable to let go of the past. As Quentin continues to try to stop time from progressing it is obvious that it is an impossible task. The only true way for him to stop time so that he does not have to forget and let go of the past is for him to take his own life. Ironically, he views it as an honorable act of Southern dignity but once again his perceptions are distorted. His act is merely one of cowardice that cannot stop time the way he hopes it will.
But what is Faulkner trying so say with these unusual pictures of time? His work The Sound and the Fury is actually a micro view of the South itself. The Compson family and particularly the Compson children are all slowly falling apart. Faulkner uses this to symbolically show how the old-style Southern aristocracy from the turn of the twentieth century was in a major decline. The Quentin section most poignantly illustrates this point because the result of this decay literally destroys him in the end. The cause of this decay is clearly slavery, but the implications of this decay from slavery are much farther reaching than merely the Southern aristocracy. Many people believe that slavery instantaneously ended with the Civil War but this is not correct. Continuing to this day there are still remnants and scars left over from that terrible institution. In the text the most obvious remnants of slavery were the Compson"s primitive black servants who were quite obviously the posterity of the black slaves once owned by the family. Just as Quentin idealized the past some Southerners have this picture of the old South as a wonderful and glorious place. They romanticize about it and even wish to stop time in order to return to the past much as Quentin wished to do. Sadly, like Quentin, their views of the past and time are terribly distorted. They are unable to remember the horrors of the past that were characterized by Southern slavery. The institution was a terrible cancer that was constantly decaying the moral and ethical base of the South. In the end Quentin was so consumed with stopping time and returning to the way things were that he literally destroyed himself. Faulkner is trying to warn those who wish to return to the "good old days" that they were a time that should not be praised and dreamed of but rather that they are times that should be scorned and put behind us; because if we try to return to the past, we will be destroying ourselves just as Quentin did.
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